The Grand Trunk Road, one of the world’s oldest trade routes, has long connected Agra and Amritsar, transporting people, goods, and stories. The project Documentation of 16th–17th Century Mughal Monuments on the Grand Trunk Road, by the American Institute of Indian Studies, with support from the U.S. Ambassador’s Fund for Cultural Preservation 2023–2025, documented the architecture and oral histories of the region. This exhibition highlights one such site on the GT Road - the Sarai Amanat Khan.
The Man Behind Sarai Amanat Khan
Born Abd al-Ḥaqq in Shiraz (c.1572), Amanat Khan was a master calligrapher at the Mughal court. Honored by Shah Jahan in 1632, he is best known for the inscriptions on the Taj Mahal. He also founded Sarai Amanat Khan, a caravansarai in Tarn Taran on the old Grand Trunk Road.
Caravansarais were spacious roadside inns for travelers, traders, and pilgrims. These enclosed courtyards offered shelter, water, and security for people and animals alike, creating safe havens on long journeys. More than rest stops, sarais were hubs of exchange where goods, languages, and cultures met, reflecting the cosmopolitan spirit of the road itself. They were often strategically placed every 20-30 kilometers and marked by distance markers called kos minars, forming an organized network.
Sarai Amanat Khan, southeast of Amritsar on the Tarn Taran-Attari Road, is the last surviving caravansarai in India on the old Agra-Lahore route. This square-shaped sarai has a large central courtyard and is known for its Persian-style glazed tiles, decorated gateways, floral patterns, and octagonal towers (two of which still remain). Close to the western gate is a multi-storied stepwell, now neglected and covered with growth. Nearby, a well-preserved kos minar, still stands.
Sarai Amanat Khan complex (1640-1641 CE) by Abd al-Haqq Shirazi alias Amanat KhanAmerican Institute of Indian Studies
Schematic floor plan of Sarai Amanat Khan showing gateways in two directions: Eastern (Delhi Darwaza) and Western (Lahori Darwaza) and a mosque within the sarai complex near the Western Gateway.
Sarai Amanat Khan, Western Gateway/Lahori Darwaza (1640-1641 CE) by Abd al-Haqq Shirazi alias Amanat KhanAmerican Institute of Indian Studies
The Fort-Like Design of the Sarai
Caravansarais were typically square with two grand gateways, rooms on all sides of a central courtyard. They had large battlemented walls for safety and shelter from bandits and harsh weather. Inside were mosques, wells, and bathhouses, making them self-contained complexes.
Sarai Amanat Khan, Mosque (1640-1641 CE) by Abd al-Haqq Shirazi alias Amanat KhanAmerican Institute of Indian Studies
The mosque inside the Sarai has three arched openings and a central dome. Built with elegant proportions, it uses squinches to transition from a square base to the dome. Ornamental plasterwork, a recessed mihrab, and traces of floral motifs highlight Mughal architectural style.
Locals believed the mosque held spiritual power - removing its lamps could cause illness, while prayers there brought healing. Oral histories also tell of dancers performing inside at night and secret tunnels once connecting it to other parts of the Sarai.
"A woman once came to study the mosque and cleared away the diyas that were lit inside. Soon after, she fell seriously ill. She was told to return, offer her apologies, and pray and after that, she recovered."
Saveenpal Singh, sarpanch of Sarai Amanat Khan village
Sarai Amanat Khan, Western Gateway/Lahori Darwaza (1640-1641 CE) by Abd al-Haqq Shirazi alias Amanat KhanAmerican Institute of Indian Studies
Life Inside the Sarai
Before Partition, Hindu and Muslim families shared the sarai. In 1947, Muslims left and refugees from across the border settled there, reshaping its social fabric. During later unrest and riots in Punjab, some families left permanently, while others relocated nearby for safety.
Residents recall that Sarai Amanat Khan was once a thriving marketplace, with shops and traders filling its courtyard and attracting travelers. The bazaar’s activity made the Sarai an important link in wider trade networks. Several noted that their families had long known of the Sarai for its bustling market, and that relatives had visited it even before they themselves settled there after Partition.
Adapting the Sarai
Over time, residents adapted the old caravansarai to suit their daily lives. Courtyards were divided into houses, cells became bedrooms, and stables were turned into kitchens or storage areas. The Mughal structure has gradually become a lived-in community space.
Inside the Sarai, on its southern side, stands a haveli that still carries traces of its former grandeur. Paintings under the eaves show the mansion’s old artistic decoration. The haveli was originally owned by Gurmukh Khatri, a resident who later moved to Amritsar, before being sold to Vijay Mehta’s family. Today, the Mehtas live there and run a school, having repaired and beautified the house while keeping its original structure and character intact.
For the people living in Sarai Amanat Khan today, the site is more than just an old monument - it is their home. Many take pride in its Mughal past and feel a sense of connection to its history. At the same time, some express concern about the neglect of the structure, restrictions on repairs, and the uncertainty of their housing rights. The Sarai stands as a reminder of trade, migration, and community life over centuries.
Stepwell near Western Gateway of Sarai Amanat Khan (ca. 1640-1641 CE) by Abd al-Haqq Shirazi alias Amanat KhanAmerican Institute of Indian Studies
Stepwell Near Sarai Amanat Khan
Stepwells like the one near Sarai Amanat Khan were vital on routes like the Grand Trunk Road, offering water as a form of ongoing charity (sadaqah jariyah). Often endowed as waqf, they served travelers and locals, reflecting Mughal civic values.
Locals remember many legends tied to the site. The stepwell’s water was believed to heal sick children. People spoke of queens bathing there, underground tunnels, and even hidden treasures.
Tomb of Amanat Khan near Sarai Amanat Khan (1641-1645 CE (?))American Institute of Indian Studies
Tomb of Amanat Khan
Just outside the main Sarai, stands Amanat Khan’s modest tomb with a central dome, corner turrets, and red sandstone construction. Today, the addition of incongruent modern tiles undermines the structure’s original aesthetic and historical integrity.
Tomb of Amanat Khan near Sarai Amanat Khan (1641-1645 CE (?))American Institute of Indian Studies
Ambassador’s Fund for Cultural Preservation Team
Project Director: Vandana Sinha
Senior Research Associate, Content and Curation: Stuti Gandhi
Research Assistants: Anumodita Patel, Ragini Singh
Translation: Amrit Pal and Rinku Rani
Photographer: Omprakash
Architectural Drawings: S Pandian and N Ravi
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